120 × 60 cm

Skinny Love captures a moment of unspoken anguish: a woman kneels, arms lifted heavenward, her torso sculpted in stark white highlights against deep blue shadows while her face blurs into quiet grief. The spray-paint technique mingles precision with unpredictability, the softened edges mirroring emotional vulnerability. Drawing its title from Bon Iver’s haunting melody, the work reflects on love’s fragility when deprived of nourishment, and the ache of longing that remains unanswered. In this intimate tableau, I explore the tension between exposure and erasure, inviting viewers to witness both the strength and fragility of the human heart.

89.5 × 60 cm

Addicted is a visual meditation on obsession, dependency, and the loss of self that follows. The face, barely there and slipping into shadow, represents the distortion of identity when consumed by something overpowering—whether love, substance or thought. The blurred features suggest a mind clouded, fading, yet still reaching to be seen. Rendered in ghostly tones of black and white, the image sits between presence and erasure, reflecting the emotional fog of addiction. This piece is not about clarity, but about surrender—when the self is no longer fully one’s own.

190 × 121 cm

Bella embodies vulnerability, resilience, and self-possession. The absence of facial features is a reminder that she could be anyone—wounded, healing, or enduring. Her turned back suggests a quiet resistance to being fully seen, yet her presence is undeniably felt. This piece invites the viewer to reflect not just on her figure— but on how we perceive the female body, what we project onto it, and what we take from it.

76.1 × 50 cm

Desired, not seen. captures the tension between concealment and exposure, body and abstraction. With soft gradients and a nearly sculptural quality, the image evokes the form of a torso—a fleeting impression rather than a defined figure. The use of black and white spray paint creates a velvet-like texture, where light and shadow ripple across the surface like breath on skin. it speaks to vulnerability, to the quiet intensity of presence without identity. There is both intimacy and distance here, a ghost of form that asks to be felt more than understood. This piece is about sensation, memory, and the way desire blurs the line between figure and feeling.

90.5 × 70 cm

Magnolia is a monochromatic piece that fuses the contours of the female form with the softness and symbolism of blooming flowers. The image reveals a torso bathed in dramatic light and shadow, where delicate floral outlines are both embossed and ethereal, hovering between body and bloom. The flowers do not merely overlay the figure- they grow from it, suggesting human vulnerability with natural resilience. Magnolia invites the viewer to consider the interplay between femininity, nature, and the unseen stories held within both.